Works on Paper - Hannah Höch
Prestel

Páginas: 256
Formato: 27x22x4
Peso: 1.6 kgs.
ISBN: 9783791388533

World-renowned for her work during the Weimar period, Hannah Höch was a pioneer in many aspects, both artistic and cultural. She was the lone woman of the Berlin Dada movement the riotous form of art that deconstructed sound, language, and images to re-assemble them into new objects, texts and meanings. A determined believer in womens rights, Höch questioned conventional concepts of partnership, beauty and the making of art, her work presenting acute critiques of racial and social stereotypes, particularly that of her native Germany. Focusing on Höchs collages, this book examines the artists career from the 1920s to the 1970s, charting her oeuvre from early works influenced by fashion and mass media, through to her later compositions of lyrical abstraction. It reveals her rapid development of a personal style, which was both humorous and often moving. Included are essays that examine themes such as the concept of the »New Woman« and the legacy of German colonialism. Featuring international scholarship on a groundbreaking artist, this volume brings together important source texts and reference material, which were first translated into English for the original edition of this book.

Works on Paper - Hannah Höch

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Works on Paper - Hannah Höch
Prestel

Páginas: 256
Formato: 27x22x4
Peso: 1.6 kgs.
ISBN: 9783791388533

World-renowned for her work during the Weimar period, Hannah Höch was a pioneer in many aspects, both artistic and cultural. She was the lone woman of the Berlin Dada movement the riotous form of art that deconstructed sound, language, and images to re-assemble them into new objects, texts and meanings. A determined believer in womens rights, Höch questioned conventional concepts of partnership, beauty and the making of art, her work presenting acute critiques of racial and social stereotypes, particularly that of her native Germany. Focusing on Höchs collages, this book examines the artists career from the 1920s to the 1970s, charting her oeuvre from early works influenced by fashion and mass media, through to her later compositions of lyrical abstraction. It reveals her rapid development of a personal style, which was both humorous and often moving. Included are essays that examine themes such as the concept of the »New Woman« and the legacy of German colonialism. Featuring international scholarship on a groundbreaking artist, this volume brings together important source texts and reference material, which were first translated into English for the original edition of this book.